Looking forward to impressions as I'm close to picking one of those up too.
I've had one for about a year and a half. I absolutely adore it.
Looking forward to impressions as I'm close to picking one of those up too.
I really want to learn how to use a flash. Never used one before except for the tiny one that came with my camera, and pictures look like crap with it.
Why not get the XT10? Cheaper version of the XT1
what's the concern? just curious
I've had one for about a year and a half. I absolutely adore it.
I just got back from a trip that I shoot on full frame with 35mm and I found it to be a great experience for 99% of street shooting. IF you're only going to have one focal length then that is the one to own.Gonna be taking my A7ii with 35mm to asia in a week. First time shooting only with a prime.
I just got back from a trip that I shoot on full frame with 35mm and I found it to be a great experience for 99% of street shooting. IF you're only going to have one focal length then that is the one to own.
You know, I don't really have a need for it right now. But it's a camera I've always found very interesting and wanted to own one day. So I either wait for the moment I really need one, or I jump on the occasion now and spent some unforeseen money.
Am I crazy going with the 16? I've considered the 23, which is a 35mm equiv, and that might be a "safe" pick for Lens #1 - but I can't imagine I'll be too hamstrung by the 16 walking through the highlands in Iceland or the streets of Stockholm. And the 16 is weather resistant, which will come in handy, I think.
I'd only recommend the 55 for street photography if you're in a not-so-good neighborhood or are bad with people. For as much as I love the 35mm, it requires you to be more or less within the peripheral vision of people on the street (at least with how I shoot). That's fine in most cases but I never got as much heat from pissy bystanders with my 50mm like I do with my 35mm. Might be anecdotal but it's something to keep in mind depending on the area.Nice to hear. Yea, took Evilore's advice and taking a 35mm instead of 55mm for street shots.
-snip-
Gonna be taking my A7ii with 35mm to asia in a week. First time shooting only with a prime.
Am I crazy going with the 16? I've considered the 23, which is a 35mm equiv, and that might be a "safe" pick for Lens #1 - but I can't imagine I'll be too hamstrung by the 16 walking through the highlands in Iceland or the streets of Stockholm. And the 16 is weather resistant, which will come in handy, I think.
Going on a honeymoon trip for two weeks to the Nordic countries, and want to upgrade my camera game.
Back in college, I had lots of experience on a 5DmkII and a good range of L glass. Personally, I just bought a cheap 40D and a couple kit lenses, and then rented out nicer lenses for free from the journalism school. I'm a strong, bigger guy - but I hated lugging around a big body and big lenses in a big bag. When I graduated, I took a hard look at Micro 4/3rds bodies, but they just weren't "there" yet for me, between slow AF, small sensors, a limited lens selection.
I eventually sold all my gear about three years ago, and have just used a Fuji X10 since, and I absolutely love it. Going to upgrade, I think, for my honeymoon... in addition, we now have a companion pass with Southwest, so I imagine we'll be hitting a LOT more locations traveling in the next year. Currently Denver, Sedona, San Diego, Mexico, and Tokyo are on our short list.
Long story short, without dropping a helluva lot of coin, but being very spoiled with professional equipement, I think I've found a good compromise in the Fuji X-T1. I had used a X-Pro 1 for a bit a couple years ago - and while I loved the build, it had a lot of glaring issues that seem resolved with the X-T1, now.
Probably going to pair it with a 16mm 1.4 - that'll work in street, low light, and lots of landscape... and I can grab the occasional macro and even an okay portrait if I can move around. I won't have any reach, but I don't think I'm going to need it at first.
Am I crazy going with the 16? I've considered the 23, which is a 35mm equiv, and that might be a "safe" pick for Lens #1 - but I can't imagine I'll be too hamstrung by the 16 walking through the highlands in Iceland or the streets of Stockholm. And the 16 is weather resistant, which will come in handy, I think.
I'm more of a prime guy than a zoom, so that's why I'm between these two. Thoughts? Browsing Fredmiranda, I can probably have great condition, used samples in my hand for about $750 and $750... $1,500 to get going.
How do I mount a big telephoto lens? Will this tripod work? Do I just hold the camera? Any examples of how I would make this work? I also have a monopod.
How do I mount a big telephoto lens? Will this tripod work? Do I just hold the camera? Any examples of how I would make this work? I also have a monopod.
Thank you for all the input, guys, I really appreciate it.
I had looked at sample picks on DPReview for both, and - to be honest - I still lean toward the 16mm. After looking at Flickr, I'm even more confident it fits with my style - and looks a lot like the stuff I used to take with my 24/2.8 on the 5D.
With all that said, the 23mm seems like the universal suggestion. I happen to be in New York & Niagara Falls next week. So, I put in two offers on FredMiranda, and just locked down the X-T1 and 23mm for $1325 OTD. I figure I'll screw around with the 23mm - and I imagine I'll love it - and end up saving a few bucks. Worst case, I have a few months to resell and rebuy.
Thanks, all! I'll post some shots when I get back.
What is this like 40K in camera gear in one picture?
What is this like 40K in camera gear in one picture?
What is this like 40K in camera gear in one picture?
oh man, that reminds me. When I worked for Ritz camera a few years back, Nikon and their reps would setup what we called the "Nikon Weekend" every fall in Park City Utah. It was a special event for Ritz employees and big time customers to demo pretty much the full range of equipment Nikon had on offer at the time. Between me, my friend and my brother we would check out tens of thousands of dollars worth of gear to use through out the day. Good times using cameras like the D3, PC-E lenses, and the 200mm F/2 (and many more).
70k then? That's just one expensive looking picture.Sounds like a low estimate.
I just realized the dude taking the pic is using both a Nikon and a Canon. How often do you see that? Glad to know that I wasn't that far off, I guess all the time I spend eyeballing gear is being soaked into my head.your first estimate was closer. Those look like the 400f2.8's which are 10-12k, sure they are using the top of the line pro cameras which are 6-8k and then the 14-24 looking lens is *only* 2k. Probably 45k.
I really want to learn how to use a flash. Never used one before except for the tiny one that came with my camera, and pictures look like crap with it.
Where the hell can you get counterweights for a shoulder rig??
I've been playing around with the rig the last few days and while it's kinda smooth, it needs a proper counterweight at the back to balance it out.
Right now, I've got my 3 pound monopod as the counterweight but obviously it's a little tall to hang out behind my back so I don't think it's a good setup. I'd probably need something like 4 pounds to get it balanced correctly.
How do I mount a big telephoto lens? Will this tripod work? Do I just hold the camera? Any examples of how I would make this work? I also have a monopod.
How do I mount a big telephoto lens? Will this tripod work? Do I just hold the camera? Any examples of how I would make this work? I also have a monopod.
Just get lead weight from a dive shop or sporting good store.
Where the hell can you get counterweights for a shoulder rig??
I've been playing around with the rig the last few days and while it's kinda smooth, it needs a proper counterweight at the back to balance it out.
Right now, I've got my 3 pound monopod as the counterweight but obviously it's a little tall to hang out behind my back so I don't think it's a good setup. I'd probably need something like 4 pounds to get it balanced correctly.
Does it have 15mm rods?
http://www.amazon.com/dp/B0171M3CXG/?tag=neogaf0e-20
I have a redrock micro rig but they are ridiculously expensive... http://store.redrockmicro.com/Catalog/microbalanceQR/
A friend was asking for camera suggestions, primarily for photography of toys she makes and travel. I figure she does not want something DSLR sized and likely would prefer something without interchangeable lenses but with manual controls, so any suggestions as to what cameras fit this criteria? Are the Sony RX100 models still good for this purpose, as I see the first model for $400 on amazon?
Thanks. Did the mark ii or iii come with image quality, focus speed, or exterior control upgrades that are worth the price?She may not get the sweet BOKEH but yes, the RX100 should be great.
Thanks. Did the mark ii or iii come with image quality, focus speed, or exterior control upgrades that are worth the price?
Any beginner tripod recommendations? Something under £100? I'm going to be travelling and needs something lightweight/compact for A6000 with normal-sized lenses. Main usage is probably gonna be night time star photography and long exposures generally.
New Fuji stuff announced...but where's the x100?!
x pro2 looks amazing though: http://jonasraskphotography.com/2016/01/15/the-fujifilm-x-pro2-review/
The xt1 is two years old bruhI am pissed.
I bought my XT1 six months ago. It has 15 PDAF points.
Christ, Fuji.
The xt1 is two years old bruh
Hell yeah at Fuji's new 24MP sensor (produced by Sony) on the X-Pro2. That it's copper-based like the A7RII's sensor will allow for dramatic improvements in ISO noise and processing speed, despite the MP increase. Fuji's already demonstrated this with apparently showing off a high quality 12800 shot at their unveiling event. And weather-sealed and lots of focusing points. Nice work, Fuji. Not a whole lot else to ask for.
they need to put it in the x100 body